Read our 25/26 Season Brochure!
Big Questions: Season One
Detroit Opera embarks on a season-long exploration of American identity as the nation marks the 250th anniversary of the Declaration of Independence. In inspiring and original productions, we invite you to participate in a dialogue around the question: Has America at 250 lived up to its promise? Click below to read our season brochure.
OUR 25/26 SEASON BROCHUREOur 25/26 Season opens September 28!

The Girl of the Golden West
The first show in our “America at 250: Big Questions” series, The Girl of the Golden West sets the stage for examining whether the roots of America’s promise were always intertwined with conquest, violence, and vigilante justice.
Subscribe today! Single tickets on sale July 28, 2025!
September 28 – October 4, 2025
Opera

Stars of American Ballet
A celebration of influential choreographers who shaped American dance in the 20th century. This program explores the shaping of the American dance scene with Robbins’ “In the Night,” an excerpt from Arpino’s “Light Rain,” Tharp’s “Brel,” and Balanchine’s “Who Cares” (concert version).
Subscribe today! Single tickets on sale July 28, 2025
October 18 & 19, 2025
Dance

Dance Theatre of Harlem
A perennial favorite, Dance Theatre of Harlem returns to Detroit with an exciting program featuring iconic works of Robert Garland, George Balanchine, and others!
Subscribe today! Single tickets on sale July 28, 2025!
November 15 & 16, 2025
Dance

Highways and Valleys: Two American Love Stories
Highways and Valleys – Two American Love Stories is a unique double bill combining voices often excluded from the operatic mainstream: the “dean of African American music,” William Grant Still, and the Jewish émigré Kurt Weill. From their marginalized positions in American society, both composers sought out the heart of American folk music and brought it into the world of opera.
Subscribe today! Single tickets on sale July 28, 2025!
December 7 – 13, 2025
Opera
Detroit Opera…has placed itself at the center of the operatic conversation”
David Allen
The New York Times