Alexandria Shiner,  soprano, is a Grand Finals Winner of the Metropolitan Opera National Council Auditions (now known as the Eric and Dominique Laffont Competition) and continues to garner critical acclaim for her “blazing soprano” (The Wall Street Journal).

In the 2024–25 season, Alexandria returned to the Metropolitan Opera for Die Zauberflöte (Erste Dame) and Die Frau ohne Schatten (Die Kaiserin cover). Future seasons include her hometown debut at Detroit Opera, and a return to the Los Angeles Philharmonic for Die Walküre (Gerhilde) conducted by Gustavo Dudamel.

Recent operatic highlights include her debuts with The Cleveland Orchestra for a fully staged production of Die Zauberflöte (Erste Dame) under the baton of music director Franz Welser-Möst, the Lyric Opera of Chicago for Der fliegende Holländer, and Arizona Opera for The Sound of Music (Mother Abbess). She has returned to the Los Angeles Philharmonic for a fully staged Frank Gehry production of Das Rheingold (Wellgunde) conducted by music director Gustavo Dudamel, Washington National Opera for a new production of Elektra (Die vierte Magd and Die Schleppträgerin) directed by Francesca Zambello, and the Metropolitan Opera for the new Simon McBurney production of Die Zauberflöte (Erste Dame) conducted by Nathalie Stutzmann.

On the concert stage, she debuted with the Los Angeles Philharmonic at the Hollywood Bowl in Act III of Die Walküre (Gerhilde) conducted by Gustavo Dudamel, the Quad City Symphony Orchestra in Verdi’s Messa da Requiem, and the Victoria Symphony and National Symphony Orchestra in Beethoven’s Symphony No. 9.